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00:00:05,639 --> 00:00:07,939
Ms. Testvalley's voice:
IT ALL BEGAN WHEN
I TOOK UP MY POST
2
00:00:07,941 --> 00:00:09,674
AS THE ST. GEORGE
FAMILY GOVERNESS
3
00:00:09,676 --> 00:00:12,510
IN NEWPORT, RHODE ISLAND
IN 1873.
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( classical music playing )
5
00:00:14,247 --> 00:00:16,515
THE PHILANDERING
LORD RICHARD
6
00:00:16,517 --> 00:00:19,884
FOUND THE BRAZILIAN BEAUTY
CONCHITA CLOSSON BEWITCHING,
7
00:00:19,886 --> 00:00:22,053
AND PROMPTLY MARRIED HER,
ONLY TO DISCOVER
8
00:00:22,055 --> 00:00:24,722
SHE WAS NOT THE HEIRESS
HE ASSUMED.
9
00:00:24,724 --> 00:00:27,158
IT OCCURRED TO ME
THAT MY OWN YOUNG CHARGE,
10
00:00:27,160 --> 00:00:29,628
ANNABEL ST. GEORGE,
AND HER SISTER VIRGINIA
11
00:00:29,630 --> 00:00:31,729
MIGHT BENEFIT
FROM AN ENGLISH SEASON.
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00:00:31,731 --> 00:00:34,198
AND I DECIDED TO INTRODUCE THEM
TO LORD RICHARD'S FAMILY.
13
00:00:34,200 --> 00:00:36,267
MISS ST. GEORGE...
14
00:00:36,269 --> 00:00:39,071
I SHOULD NEVER HAVE TAKEN YOU
FOR AN AMERICAN.
15
00:00:41,041 --> 00:00:44,809
SURELY IN LORD SEADOWN'S CASE
THAT WOULD BE ONLY TOO EASY.
16
00:00:44,811 --> 00:00:48,679
YOU'RE FORGETTING
THIS RETCHED ENTANGLEMENT
OF HIS WITH IDINA HATTON.
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00:00:48,681 --> 00:00:50,548
MY LOVE...
18
00:00:50,550 --> 00:00:52,617
I AM OLDER
AND WISER THAN YOU
19
00:00:52,619 --> 00:00:54,352
AND I KNOW NOTHING
OF THE KIND.
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00:00:54,354 --> 00:00:56,821
Ms. Testvalley's voice:
ANNABEL, MY OWN
SPECIAL FAVORITE,
21
00:00:56,823 --> 00:00:59,124
FELL IN LOVE WITH GUY THWAITE
AT FIRST SIGHT.
22
00:00:59,126 --> 00:01:00,959
ENGLAND'S MOST
ELIGIBLE BACHELOR,
23
00:01:00,961 --> 00:01:02,694
BUT FOR
HIS LOST INHERITANCE.
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00:01:02,696 --> 00:01:05,097
WITH THE HELP OF MY AMERICAN
FRIEND JACKIE MARCH,
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WE INSTALLED OURSELVES
IN IDINA'S IDYLLIC
RUNNYMEAD COTTAGE,
26
00:01:08,669 --> 00:01:11,936
WHERE A SURPRISE VISIT
FROM THE VIVACIOUS
LIZZY ELMSWORTH,
27
00:01:11,938 --> 00:01:13,738
VIRGINIA'S ARCH RIVAL,
28
00:01:13,740 --> 00:01:15,740
MADE MY LITTLE BAND
COMPLETE.
29
00:01:15,742 --> 00:01:18,043
OH, WELL,
ANOTHER BUCCANEER.
30
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Lizzy: WHAT?
31
00:01:19,379 --> 00:01:20,678
OH, THAT'S WHAT
MISS MARCH CALLS YOU--
32
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- THE BUCCANEERS.
- THE BUCCANEERS?
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- YES.
- WHY?
34
00:01:24,217 --> 00:01:26,217
BECAUSE SHE SAYS,
THE ENGLISH INVADED AMERICA,
35
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- NOW IT'S YOUR TURN.
- DON'T YOU JUST LOVE IT?!
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00:01:31,691 --> 00:01:33,291
CHEERS TO YOU.
37
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( girls laughing )
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( chattering )
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( laughter )
40
00:02:13,834 --> 00:02:15,533
( Lizzy squeals )
41
00:02:18,271 --> 00:02:20,572
LET ME HELP YOU,
LIZZY.
42
00:02:20,574 --> 00:02:23,275
- A GIRL CAN JUMP, YOU KNOW.
- I'M SURE YOU CAN.
43
00:02:28,782 --> 00:02:30,749
DON'T FORGET
THE CHAMPAGNE, MILES.
44
00:02:35,455 --> 00:02:38,723
DARLING, I'M AFRAID
YOU CAN'T LAND SEADOWN.
45
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I'M SORRY I EVER
MENTIONED IT TO YOU,
46
00:02:41,094 --> 00:02:43,528
BUT THAT BOY
CAN'T BE SERIOUS
ABOUT ANYTHING.
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00:02:43,530 --> 00:02:45,697
Virginia:
DON'T WORRY,
I DON'T WANT HIM.
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00:02:45,699 --> 00:02:47,866
HE HAS FAR TOO HIGH
OF OPINION OF HIMSELF.
49
00:02:47,868 --> 00:02:49,301
YOU'RE
A TERRIBLE LIAR!
50
00:02:49,303 --> 00:02:51,336
YOU RATHER LIKE HIM,
DON'T YOU?
51
00:02:51,338 --> 00:02:53,905
IT'S ONLY BECAUSE YOU THINK
YOU CAN'T HAVE HIM.
52
00:02:55,508 --> 00:02:57,942
DID YOU SEE
HOW YOUNG MILES COLORED UP
53
00:02:57,944 --> 00:03:00,311
WHEN I ASKED HIM
TO COME BACK TO THE HOUSE?
54
00:03:00,313 --> 00:03:02,480
I KNOW HE HAS
NO MONEY, BUT...
55
00:03:02,482 --> 00:03:06,250
HE'S RATHER A POPPET,
DON'T YOU THINK?
56
00:03:06,252 --> 00:03:08,018
( laughs )
57
00:03:27,474 --> 00:03:29,607
Ms. Testvalley:
LORD SEADOWN IS HERE.
58
00:03:29,609 --> 00:03:31,609
YOU'RE NOT SURPRISED,
ARE YOU?
59
00:03:31,611 --> 00:03:33,678
NO, NOT AT ALL.
60
00:03:33,680 --> 00:03:36,080
ONLY, IDINA FORBADE HIM
TO COME HERE.
61
00:03:36,082 --> 00:03:37,782
HMM.
62
00:03:37,784 --> 00:03:40,151
BUT ISN'T FORBIDDEN FRUIT
ALWAYS THE SWEETEST?
63
00:03:40,153 --> 00:03:42,086
( distant laughing )
64
00:03:42,088 --> 00:03:45,322
LIZZY ELMSWORTH IS
VERY STYLISH, ISN'T SHE?
65
00:03:45,324 --> 00:03:48,793
HAS IT OCCURRED TO YOU
THAT SHE MIGHT BE MORE
TO LORD SEADOWN'S TASTE?
66
00:03:50,430 --> 00:03:53,531
VIRGINIA, AFTER ALL,
MIGHT AIM SOMEWHAT HIGHER.
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00:03:53,533 --> 00:03:56,267
All:
ONE, TWO, THREE...
68
00:03:56,269 --> 00:03:58,703
FOUR, FIVE, SIX...
69
00:03:58,705 --> 00:04:02,040
SEVEN, EIGHT, NINE, TEN!
70
00:04:02,042 --> 00:04:04,542
( screaming, laughing )
71
00:04:07,814 --> 00:04:10,348
YOUR GRACE,
I'M SO GLAD YOU COULD COME.
72
00:04:11,751 --> 00:04:13,150
SEADOWN IS HERE--
73
00:04:13,152 --> 00:04:15,453
( screaming )
74
00:04:17,457 --> 00:04:19,791
OH, AND DO YOU KNOW
HECTOR ROBINSON?
75
00:04:19,793 --> 00:04:21,793
OH, YOUR GRACE.
76
00:04:21,795 --> 00:04:23,461
OH, CERTAINLY,
LADY RICHARD.
77
00:04:27,500 --> 00:04:29,900
MR. ROBINSON...
78
00:04:29,902 --> 00:04:31,936
YOU ARE THE MAN
WITH THE BUTTON,
ARE YOU NOT?
79
00:04:31,938 --> 00:04:33,471
THAT IS SO, YOUR GRACE.
80
00:04:33,473 --> 00:04:34,973
WELL, PERHAPS YOU COULD
EXPLAIN TO ME.
81
00:04:34,975 --> 00:04:37,208
YOU SEE, I CERTAINLY
CAN'T MAKE ANY SENSE OF IT.
82
00:04:37,210 --> 00:04:40,011
WHAT EXACTLY IS
A TORY DEMOCRAT?
83
00:04:40,013 --> 00:04:43,881
AH-HA.
HE IS A DEMOCRAT,
YOUR GRACE,
84
00:04:43,883 --> 00:04:46,584
BECAUSE HE BELIEVES
IN THE WELFARE OF THE PEOPLE,
85
00:04:46,586 --> 00:04:49,220
AND A TORY,
BECAUSE HE KNOWS
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00:04:49,222 --> 00:04:51,656
THE ESTABLISHED INSTITUTIONS
OF THE COUNTRY
87
00:04:51,658 --> 00:04:53,892
AND THE BEST MEANS
BY WHICH TO ACHIEVE IT.
88
00:04:53,894 --> 00:04:57,128
OPPORTUNISM AND HYPOCRISY,
MR. ROBINSON,
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00:04:57,130 --> 00:04:58,796
THAT'S ALL THAT IS.
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00:04:58,798 --> 00:05:00,131
Man:
COME ON, COME ON...
91
00:05:00,133 --> 00:05:02,667
WELL-- WELL...
92
00:05:02,669 --> 00:05:04,402
I'VE JUST GOT TO...
93
00:05:04,404 --> 00:05:06,604
I'VE JUST...
94
00:05:06,606 --> 00:05:09,139
( laughing )
95
00:05:09,141 --> 00:05:11,308
Man:
COME ON, COME ON,
PUT HER THERE.
96
00:05:11,310 --> 00:05:14,212
FOLLOW ME, COME ON.
COME ON.
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00:05:14,214 --> 00:05:15,880
( laughs )
98
00:05:24,691 --> 00:05:26,357
YOUR GRACE.
99
00:05:26,359 --> 00:05:27,992
I DO APOLOGIZE.
100
00:05:27,994 --> 00:05:29,660
THIS MUST LOOK
VERY SILLY.
101
00:05:29,662 --> 00:05:33,364
I HOPE YOU'LL JOIN US.
IT'S GREAT FUN.
102
00:05:37,003 --> 00:05:38,803
Man:
COME ON, GET A DRINK.
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00:05:44,310 --> 00:05:46,144
THE RULES ARE,
IF I PAWN YOU...
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BLINDFOLD JULIUS.
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00:05:49,349 --> 00:05:51,449
YES, VERY GOOD.
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00:05:51,451 --> 00:05:54,786
PLEASE, EVERYONE MUST
EXCUSE ME. THANK YOU.
107
00:05:54,788 --> 00:05:57,488
BUT YOUR GRACE,
YOU'RE MISSING
ALL THE FUN, REALLY!
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00:05:59,292 --> 00:06:01,292
OH, THAT'S
A SHAME.
109
00:06:01,294 --> 00:06:02,893
- WELL, WHO'S NEXT THEN?
- MILES, COME ON.
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00:06:02,895 --> 00:06:04,763
( overlapping dialogue )
111
00:06:07,233 --> 00:06:09,534
( clock gear winding )
112
00:06:09,536 --> 00:06:11,269
( clock ticking )
113
00:06:11,271 --> 00:06:13,404
IT'S NOT A QUESTION OF
BECOMING A RECLUSE, MOTHER.
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00:06:13,406 --> 00:06:17,041
I SIMPLY DO NOT ENJOY
THE SENSATION OF BEING
HUNTED FOR MY TITLE.
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00:06:17,043 --> 00:06:19,710
YES, DEAR,
SO YOU HAVE ALWAYS SAID.
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ALWAYS?
117
00:06:22,315 --> 00:06:23,981
SINCE YOU WERE
OF AN AGE.
118
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THE FIRST WORDS
YOU EVER SPOKE
119
00:06:29,656 --> 00:06:31,823
WERE "TICK-TOCK."
120
00:06:31,825 --> 00:06:33,791
IS THAT SO?
121
00:06:33,793 --> 00:06:36,627
OR IT MIGHT HAVE BEEN
"CLIP-CLOP."
122
00:06:36,629 --> 00:06:39,797
I DOUBT IT-- I'VE ALWAYS
LIKED CLOCKS RATHER MORE
THAN HORSES.
123
00:06:39,799 --> 00:06:44,201
I DO SOMETIMES FEEL, JULIUS,
THAT YOU HAVE LIKED CLOCKS
MORE THAN ANYTHING.
124
00:06:44,203 --> 00:06:47,438
MY DEAR, I AM SURE
125
00:06:47,440 --> 00:06:49,607
THAT NO ONE
ON MY GUEST LIST
126
00:06:49,609 --> 00:06:53,043
IS HUNTING YOU DOWN
FOR YOUR TITLE.
127
00:06:53,045 --> 00:06:54,878
MUST YOU GO?
128
00:06:54,880 --> 00:06:57,348
YOU SPEND FAR
TOO MUCH TIME ALONE
129
00:06:57,350 --> 00:06:59,684
IN THAT GLOOMY OLD PLACE
AS IT IS.
130
00:06:59,686 --> 00:07:01,853
AH, IT'S
OUR ANCESTRAL PAST.
131
00:07:04,357 --> 00:07:07,091
( clocks chiming )
132
00:07:15,367 --> 00:07:17,168
NO...
133
00:07:17,170 --> 00:07:18,770
I SHALL GO DOWN
TO TREVENICK TOMORROW.
134
00:07:18,772 --> 00:07:21,205
I HAVE THE PLANS
TO GO OVER WITH CARTWRIGHT.
135
00:07:21,207 --> 00:07:24,309
I WILL NOT BE HUNTED.
136
00:07:40,593 --> 00:07:43,094
NAN, PLEASE
STOP FIDGETING.
137
00:07:45,031 --> 00:07:47,732
VAL, YOU KNOW WHAT THE TROUBLE
WITH GINNY IS,
138
00:07:47,734 --> 00:07:51,235
IS THAT ALL SHE'S INTERESTED IN
IS THE RIGHT PEOPLE.
139
00:07:51,237 --> 00:07:54,304
AND THE CLOTHES THEY WEAR,
AND THE CARRIAGES THEY DRIVE,
140
00:07:54,306 --> 00:07:56,207
AND THEN THE PEOPLE THEY KNOW,
AND THE CLOTHES THEY WEAR.
141
00:07:56,209 --> 00:07:57,775
- WELL...
- AND THE CARRIAGE--
142
00:07:57,777 --> 00:07:59,510
AND WHAT ARE YOU
INTERESTED IN?
143
00:08:00,913 --> 00:08:02,747
I DON'T KNOW.
144
00:08:02,749 --> 00:08:05,216
THE PAST,
145
00:08:05,218 --> 00:08:07,384
BUILDINGS MOSTLY.
146
00:08:07,386 --> 00:08:09,687
HOUSES, YEAH...
147
00:08:09,689 --> 00:08:11,455
I LOVE TO SEE
HOUSES SO ANCIENT
148
00:08:11,457 --> 00:08:13,991
AND SO LOVELY THAT
PEOPLE THAT LIVE IN THEM,
149
00:08:13,993 --> 00:08:15,960
THEY HAVE THEM
IN THEIR BONES.
150
00:08:15,962 --> 00:08:17,495
THAT'S AN ODD EXPRESSION.
151
00:08:17,497 --> 00:08:19,363
DID YOU FIND IT IN A BOOK?
152
00:08:19,365 --> 00:08:21,766
NO.
IF YOU REALLY MUST KNOW,
153
00:08:21,768 --> 00:08:24,602
GUY THWAITE SAID IT
ABOUT HONORSLOVE.
154
00:08:27,407 --> 00:08:29,307
I HAVE A LITTLE PLAN.
155
00:08:30,610 --> 00:08:33,010
I THINK WE MIGHT
GO AWAY FOR AWHILE.
156
00:08:33,012 --> 00:08:35,780
- WE?
- YES, JUST YOU AND ME.
157
00:08:37,617 --> 00:08:40,017
I KNOW A LITTLE PLACE
IN CORNWALL
158
00:08:40,019 --> 00:08:44,022
WHERE WE CAN GO SEABATHING
AND LIVE LIKE GYPSIES.
159
00:08:44,024 --> 00:08:45,990
OH, VAL!
160
00:08:45,992 --> 00:08:48,293
I SHOULD LOVE THAT.
161
00:08:48,295 --> 00:08:51,462
GOOD.
THEN I SHALL ARRANGE IT.
162
00:09:31,370 --> 00:09:33,137
( insect buzzing )
163
00:09:35,441 --> 00:09:37,775
( bird calling )
164
00:09:48,387 --> 00:09:50,421
VAL!
165
00:09:50,423 --> 00:09:52,823
- HERE!
- NAN!
166
00:09:52,825 --> 00:09:56,160
- IT'S GLORIOUS!
- GOOD!
167
00:09:56,162 --> 00:09:59,463
- NAN, BE CAREFUL!
- I WILL!
168
00:09:59,465 --> 00:10:01,932
( seagulls squawking )
169
00:10:10,276 --> 00:10:12,543
( loose rocks
striking ground )
170
00:10:14,380 --> 00:10:16,847
I'M SO SORRY.
171
00:10:16,849 --> 00:10:19,050
- DIDN'T MEAN TO STARTLE YOU.
- YOU DIDN'T.
172
00:10:19,052 --> 00:10:21,552
I DIDN'T REALIZE
THERE WAS ANYONE HERE.
173
00:10:23,222 --> 00:10:25,222
WELL, I DON'T WISH
TO DISTURB YOU.
174
00:10:25,224 --> 00:10:26,857
IT'S ALL RIGHT.
175
00:10:26,859 --> 00:10:28,592
THE PLACE DOESN'T
BELONG TO ME, YOU KNOW.
176
00:10:28,594 --> 00:10:29,927
INDEED.
177
00:10:29,929 --> 00:10:31,295
( chuckles )
178
00:10:33,666 --> 00:10:35,966
( duck quacking )
179
00:10:39,172 --> 00:10:42,239
I'VE SEEN YOU
SOMEPLACE BEFORE.
180
00:10:42,241 --> 00:10:45,709
YES, I--
RUNNYMEAD.
181
00:10:45,711 --> 00:10:48,846
( laughs )
I'M NAN ST. GEORGE.
182
00:10:48,848 --> 00:10:51,148
AND YOU ARE...
183
00:10:51,150 --> 00:10:53,250
I KNOW, UM...
184
00:10:53,252 --> 00:10:54,651
MR. ROBINSON.
185
00:10:55,855 --> 00:10:58,755
OH, DEAR...
186
00:10:58,757 --> 00:11:01,759
I CAN SEE YOU'RE
NOT MR. ROBINSON.
187
00:11:03,596 --> 00:11:07,565
I'M SO SORRY,
IT'S HATEFUL TO BE
TAKEN FOR SOMEONE ELSE,
188
00:11:07,567 --> 00:11:09,666
ESPECIALLY MR. ROBINSON.
189
00:11:11,004 --> 00:11:12,937
( both laughing )
190
00:11:12,939 --> 00:11:15,072
I'M SORRY.
191
00:11:15,074 --> 00:11:16,841
WELL...
192
00:11:20,446 --> 00:11:23,414
( both yelling out )
193
00:11:26,052 --> 00:11:27,752
( Annabelle laughing )
194
00:11:32,759 --> 00:11:34,492
( Annabelle screaming )
195
00:11:35,795 --> 00:11:38,028
- ( laughing )
- Julius: OH!
196
00:11:41,801 --> 00:11:45,269
NO, I NEVER WOULD HAVE GUESSED
YOU WERE ONE OF THOSE RUSTLING
YOUNG WOMEN AT RUNNYMEAD.
197
00:11:47,339 --> 00:11:50,374
- THEY'RE ALWAYS SO NOISY.
- THEY ARE RATHER.
198
00:11:50,376 --> 00:11:53,711
I CAN ONLY TAKE SO MUCH
OF THAT SORT OF THING--
199
00:11:53,713 --> 00:11:57,248
APPLE PIE, BILLARDS,
MURDER AND PILLOW FIGHTS.
200
00:11:57,250 --> 00:12:00,584
AND THEY ALL DRINK
AND SMOKE SO MUCH.
201
00:12:00,586 --> 00:12:03,187
OH, BUT THIS,
202
00:12:03,189 --> 00:12:05,589
THIS IS GLORIOUS.
203
00:12:05,591 --> 00:12:07,724
DIDN'T YOU SAY
THE WOMEN SMOKE?
204
00:12:07,726 --> 00:12:10,828
CERTAINLY THEY DO,
ALL OF THEM,
205
00:12:10,830 --> 00:12:12,963
LIKE FOREST FIRES.
206
00:12:12,965 --> 00:12:15,966
- I SMOKE LIKE A FOREST FIRE.
- DO YOU?
207
00:12:15,968 --> 00:12:17,468
( laughs )
208
00:12:17,470 --> 00:12:20,203
- I'M SURE IT'S BAD FOR YOU.
- DO YOU THINK?
209
00:12:20,205 --> 00:12:21,505
YES.
210
00:12:21,507 --> 00:12:24,007
Ms. Testvalley:
ANNABEL!
211
00:12:24,009 --> 00:12:28,011
OH, THAT'S MY GOVERNESS.
212
00:12:28,013 --> 00:12:29,514
I REALLY MUST GO.
213
00:12:29,516 --> 00:12:31,481
- WILL SHE BE ANGRY?
- DREADFULLY.
214
00:12:32,819 --> 00:12:35,286
- MAY I SEE YOU BACK?
- IF YOU LIKE.
215
00:12:35,288 --> 00:12:36,454
WALK ME TO THE TOP.
216
00:12:37,723 --> 00:12:39,323
( laughing )
217
00:12:46,732 --> 00:12:49,500
NAN, HOW MANY TIMES
MUST I TELL YOU,
218
00:12:49,502 --> 00:12:50,968
NOT TO TALK TO STRANGERS.
219
00:12:50,970 --> 00:12:53,503
HE'S NOT A STRANGER.
HE'S BEEN TO RUNNYMEAD,
220
00:12:53,505 --> 00:12:56,040
AND HE SAYS HE LIVES
SOMEWHERE AROUND HERE.
221
00:12:57,277 --> 00:12:59,576
THERE HE IS, STILL.
222
00:12:59,578 --> 00:13:02,146
GOOD GRACIOUS,
THAT'S THE DUKE OF TREVENICK.
223
00:13:02,148 --> 00:13:04,215
- NO!
- YES, OF COURSE IT IS.
224
00:13:04,217 --> 00:13:06,851
WELL, OF COURSE--
THIS IS ALL TREVENICK LAND.
225
00:13:06,853 --> 00:13:10,121
- NAN, DON'T STARE.
- HE SEEMS SUCH A CHILD.
226
00:13:10,123 --> 00:13:12,122
LET'S HOPE HE THOUGHT
NO WORSE OF YOU.
227
00:13:12,124 --> 00:13:14,925
HE THOUGHT
I WAS WONDERFUL.
228
00:13:14,927 --> 00:13:17,828
AND HE'S SENDING HIS FLYOVER
TOMORROW AT 4:00
229
00:13:17,830 --> 00:13:19,663
TO TAKE US BOTH TO TEA.
( giggles )
230
00:13:29,508 --> 00:13:33,210
DID YOU INVESTIGATE
CONNIE'S FINANCES AT ALL, DICK?
231
00:13:33,212 --> 00:13:35,345
BEFORE YOUR ENGAGEMENT,
I MEAN.
232
00:13:35,347 --> 00:13:37,548
I WAS IN LOVE
WITH CONNIE.
233
00:13:37,550 --> 00:13:39,951
SHE'S PREGNANT,
BY THE WAY.
234
00:13:41,521 --> 00:13:43,421
AN IMMACULATE
CONCEPTION.
235
00:13:43,423 --> 00:13:44,989
OH, YEAH.
236
00:13:44,991 --> 00:13:48,726
CONNIE AND I DO MEET UP
FROM TIME TO TIME.
237
00:13:48,728 --> 00:13:50,861
YOU BETTER
GET A MOVE ON.
238
00:13:50,863 --> 00:13:53,797
MAYBE THE NEXT
LORD BRIGHTLINGSEA,
SHE'S CARRYING.
239
00:13:57,503 --> 00:14:01,238
I'VE HAD BLAIR LOOK
INTO THE ELMSWORTHS
AND THE ST. GEORGES.
240
00:14:02,342 --> 00:14:03,674
AND...?
241
00:14:03,676 --> 00:14:06,910
THE ELMSWORTHS ARE SO-SO.
242
00:14:06,912 --> 00:14:10,914
BUT COLONEL ST. GEORGE REALLY IS
THE THIRD RICHEST MAN
ON WALL STREET.
243
00:14:10,916 --> 00:14:13,050
( whistles )
244
00:14:13,052 --> 00:14:15,652
IF A MAN MUST GRUB AROUND
TO MAKE A LIVING,
245
00:14:15,654 --> 00:14:17,754
I SUPPOSE ONE DOES PREFER HIM
TO DO IT SUCCESSFULLY.
246
00:14:17,756 --> 00:14:20,124
SO, WHAT ARE
YOU WAITING FOR?
247
00:14:20,126 --> 00:14:22,426
I DON'T SEE YOU
THRIVING ON MARRIAGE.
248
00:14:24,330 --> 00:14:28,465
BUT THEN, MAYBE THE TRICK IS
NOT TO BE IN LOVE WITH
ONE'S WIFE.
249
00:14:29,736 --> 00:14:31,769
( chuckles )
250
00:14:34,807 --> 00:14:36,840
Julius:
AND THE HAWK LIFTED
THE CHILD OUT OF THE CRADLE,
251
00:14:36,842 --> 00:14:39,743
- FLEW IT OUT OF THAT WINDOW.
- ( gasps ) NO!
252
00:14:43,049 --> 00:14:46,250
YOU CAN STILL HEAR THE CRIES
OF THE DISTRESSED MOTHER
CARRIED BY THE WIND.
253
00:14:46,252 --> 00:14:47,885
- REALLY?
- YEAH.
254
00:14:49,789 --> 00:14:52,022
YOU KNOW, MY FATHER
WAS COMPLETE-- OH, PLEASE.
255
00:14:52,024 --> 00:14:54,392
- THAT ONE, PLEASE.
- THIS ONE HERE?
256
00:14:54,394 --> 00:14:55,893
- THANK YOU.
- YEAH.
257
00:14:58,497 --> 00:15:00,531
MY FATHER WAS
COMPLETELY UNABLE
TO FULFILL
258
00:15:00,533 --> 00:15:02,800
ANY OF MY GRANDFATHER'S
AMBITIONS HERE.
259
00:15:02,802 --> 00:15:05,769
I'M DETERMINED TO RESTORE
TREVENICK TO ITS FORMER GLORY.
260
00:15:05,771 --> 00:15:07,471
OH, WHAT A FINE AMBITION.
261
00:15:07,473 --> 00:15:09,173
- THANK YOU.
- MMM.
262
00:15:09,175 --> 00:15:11,075
MY MOTHER DISAPPROVES
OF THE RESTORATION PLANS.
263
00:15:11,077 --> 00:15:13,577
SHE FINDS THE WHOLE AREA
RATHER GLOOMY.
264
00:15:13,579 --> 00:15:17,414
NO, I THINK IT'S
WILD AND GRAND.
265
00:15:17,416 --> 00:15:19,950
YOU KNOW, I PREFER IT
TO LIVING IN LONDON ANY DAY.
266
00:15:19,952 --> 00:15:21,318
( chuckles )
267
00:15:23,789 --> 00:15:26,256
YOU CERTAINLY HAVE
QUITE AN APPETITE.
268
00:15:26,258 --> 00:15:28,058
YES.
( laughs )
269
00:15:34,266 --> 00:15:35,832
Julius: IN SOME OF
THE EARLY FAMILY STORIES,
270
00:15:35,834 --> 00:15:38,803
IT SAID ONE OF MY FORBEARERS
MET HIS DEATH FALLING FROM
THIS WINDOW.
271
00:15:42,208 --> 00:15:45,309
WHO KNOWS, IT IS
A FEARFUL LONG WAY.
272
00:15:59,758 --> 00:16:02,826
( Ms. Testvalley exhales )
273
00:16:10,636 --> 00:16:12,403
THANK YOU SO MUCH,
YOUR GRACE,
274
00:16:12,405 --> 00:16:13,971
FOR A MOST ENTERTAINING
AFTERNOON.
275
00:16:13,973 --> 00:16:16,407
BUT IT WAS MOST DELIGHTFUL
TO MEET YOU BOTH,
MS. TESTVALLEY,
276
00:16:16,409 --> 00:16:18,108
MISS ST. GEORGE.
277
00:16:18,110 --> 00:16:19,810
THANK YOU, JULIUS.
278
00:16:21,046 --> 00:16:22,746
YOU'RE GOOD.
279
00:16:22,748 --> 00:16:24,381
WALK ON.
280
00:16:46,171 --> 00:16:49,204
( birds chirping )
281
00:17:08,325 --> 00:17:09,958
( fly buzzes )
282
00:17:52,636 --> 00:17:54,169
Lizzy:
CONNIE...
283
00:17:55,606 --> 00:17:57,239
CONNIE, WHO IS THAT?
284
00:18:04,315 --> 00:18:07,349
I THINK
IT MUST BE YOUR LANDLADY.
285
00:18:10,888 --> 00:18:12,888
GINNY,
YOUR LANDLADY'S HERE.
286
00:18:18,495 --> 00:18:20,562
MILES, YOU'RE HERE.
287
00:18:23,901 --> 00:18:25,601
LADY RICHARD.
288
00:18:25,603 --> 00:18:27,569
YES, AND YOU MUST BE
MISS HATTON.
289
00:18:27,571 --> 00:18:29,404
MY TENANTS, I SUPPOSE.
290
00:18:29,406 --> 00:18:30,739
- MISS ST. GEORGE...
- HELLO.
291
00:18:30,741 --> 00:18:32,141
- AND MISS ELMSWORTH.
- HELLO.
292
00:18:32,143 --> 00:18:34,009
I'M IDINA HATTON,
YOUR LANDLADY.
293
00:18:34,011 --> 00:18:36,345
WHAT A BRILLIANT IDEA
TO HAVE TEA OUT HERE...
294
00:18:36,347 --> 00:18:38,347
IN THE BREEZE.
295
00:18:38,349 --> 00:18:42,084
LORD PERCY,
LIEUTENANT JAMES.
296
00:18:42,086 --> 00:18:45,888
OH, AND LORD SEADOWN...
297
00:18:45,890 --> 00:18:47,989
YOU'RE HERE TOO.
298
00:18:47,991 --> 00:18:49,858
NOW I SEE WHY YOU FORGOT
299
00:18:49,860 --> 00:18:52,795
YOU WERE HAVING LUNCH
WITH ME IN TOWN TODAY.
300
00:18:52,797 --> 00:18:55,998
BUT I MUST SAY,
YOU CHOSE THE BETTER PART.
301
00:18:56,000 --> 00:18:58,133
LONDON IS A FURNACE.
302
00:19:03,007 --> 00:19:06,375
WELL, AREN'T YOU GOING
TO OFFER ME A CIGARETTE?
303
00:19:22,092 --> 00:19:23,259
( lights match )
304
00:19:26,531 --> 00:19:29,598
BUT YOU MUSTN'T LET ME
INTERRUPT YOUR PLANS.
305
00:19:29,600 --> 00:19:33,101
I'VE HEARD
WHAT AMUSING THINGS
GO ON HERE.
306
00:19:34,205 --> 00:19:35,571
I MAY AS WELL CONFESS,
307
00:19:35,573 --> 00:19:37,506
I'M DREADFULLY KEEN
TO LEARN YOUR SECRETS.
308
00:19:37,508 --> 00:19:39,908
Conchita:
DARLING, SO MANY
DELIGHTFUL PEOPLE
309
00:19:39,910 --> 00:19:42,711
ALREADY KNEW THEIR WAY
TO THE COTTAGE THAT THERE
WAS NOTHING FOR US TO DO
310
00:19:42,713 --> 00:19:45,981
BUT LEAVE THE DOOR UNLATCHED.
THERE ARE NO SECRETS HERE.
311
00:19:45,983 --> 00:19:48,551
EXCEPT...
312
00:19:48,553 --> 00:19:50,319
PERHAPS...
313
00:19:50,321 --> 00:19:52,788
BUT YOU MUST REMEMBER
THAT THIS IS A SECRET.
314
00:19:52,790 --> 00:19:55,657
ESPECIALLY FROM
MAMA ST. GEORGE,
315
00:19:55,659 --> 00:19:58,127
TAKING HER SIESTA
UPSTAIRS.
316
00:19:58,129 --> 00:20:01,830
WHAT ABOUT
PUTTING THIS TABLE
317
00:20:01,832 --> 00:20:03,699
TO ITS PROPER USE?
318
00:20:03,701 --> 00:20:05,300
( ducks quacking )
319
00:20:09,540 --> 00:20:11,273
AH!
320
00:20:11,275 --> 00:20:13,675
CARDS!
HOW JOLLY.
321
00:20:13,677 --> 00:20:17,379
NO WONDER
MY POOR LITTLE COTTAGE
HAS BECOME SO POPULAR.
322
00:20:17,381 --> 00:20:19,314
- POKER?
- OH...
323
00:20:19,316 --> 00:20:22,351
HOW VERY WICKED.
324
00:20:22,353 --> 00:20:24,019
BY ALL MEANS,
LET'S PLAY POKER.
325
00:20:24,021 --> 00:20:25,687
SEADOWN, YOU MUST
COME TO MY RESCUE.
326
00:20:25,689 --> 00:20:27,623
LEND ME FIVE POUNDS,
DARLING.
327
00:20:27,625 --> 00:20:30,692
I HOPE I WON'T LOSE
MORE THAN THAT.
328
00:20:32,396 --> 00:20:35,931
AH! OH, HEAVENS, SEADOWN,
WHAT WEALTH!
329
00:20:37,868 --> 00:20:40,970
HOW WILL I EVER BE ABLE
TO PAY YOU BACK IF I LOSE?
330
00:20:40,972 --> 00:20:42,538
OR EVEN IF I WIN?
331
00:20:44,909 --> 00:20:46,708
AREN'T YOU GOING
TO JOIN US?
332
00:20:46,710 --> 00:20:49,845
NO, THANK YOU.
I PREFER TO WATCH.
333
00:20:49,847 --> 00:20:52,248
I KNOW YOU DON'T LIKE
TO GET YOUR HANDS DIRTY, GINNY.
334
00:20:52,250 --> 00:20:54,050
Lizzy:
I DON'T MIND IF I DO.
335
00:20:56,553 --> 00:20:58,854
THANK YOU.
336
00:20:58,856 --> 00:21:02,491
MAYBE WE'LL BE ABLE
TO FLEECE ONE OR TWO
OF THESE HARDENED GAMBLERS.
337
00:21:07,531 --> 00:21:10,733
AT EASE, IT'S ONLY HECTOR.
( laughs )
338
00:21:42,266 --> 00:21:43,866
( coins rattle )
339
00:22:01,351 --> 00:22:03,284
BASTA.
340
00:22:11,528 --> 00:22:12,827
FIVE.
341
00:22:14,632 --> 00:22:15,864
I'M OUT.
342
00:22:17,201 --> 00:22:18,400
HERE'S FIVE.
343
00:22:20,070 --> 00:22:21,203
AND I'LL RAISE YOU FIVE.
344
00:22:33,851 --> 00:22:35,250
( coins rattle )
345
00:22:39,857 --> 00:22:41,490
I WILL SEE YOUR FIVE.
346
00:22:44,161 --> 00:22:46,595
FULL HOUSE.
347
00:22:55,205 --> 00:22:58,440
THAT'S IT,
A STRAIGHT FLUSH!
348
00:22:58,442 --> 00:23:00,442
BAD LUCK, MY DEAR.
349
00:23:00,444 --> 00:23:02,677
OH, LIZZY,
YOU LITTLE DEVIL!
350
00:23:02,679 --> 00:23:04,246
IT WAS LUCK, REALLY!
351
00:23:04,248 --> 00:23:06,514
ALL I HAD TO DO
WAS PLAY THE CARDS.
352
00:23:06,516 --> 00:23:08,383
CERTAINLY
TAUGHT ME A LESSON.
353
00:23:08,385 --> 00:23:10,886
SEADOWN'S LAST COPPER
AS WELL AS MY OWN.
354
00:23:10,888 --> 00:23:12,654
YOU'RE TOO CLEVER FOR ME.
355
00:23:12,656 --> 00:23:14,456
SOMEBODY BETTER
TAKE MY PLACE.
356
00:23:14,458 --> 00:23:15,891
COME NOW, IDINA,
DON'T LOSE HEART.
357
00:23:15,893 --> 00:23:18,193
PARTING WITH MY HEART HAS
NEVER BEEN A PROBLEM, CONCHITA.
358
00:23:18,195 --> 00:23:19,895
IT'S THE SHILLINGS AND PENCE
I CAN'T AFFORD.
359
00:23:19,897 --> 00:23:23,097
COME, MISS ST. GEORGE,
IF MISS HATTON REALLY IS
GOING TO DESERT US...
360
00:23:23,099 --> 00:23:25,634
NO, REALLY, GIRLS DON'T
PLAY CARDS FOR MONEY
IN AMERICA.
361
00:23:25,636 --> 00:23:29,104
NO, I UNDERSTAND THE GAME
YOU YOUNG LADIES PLAY--
362
00:23:29,106 --> 00:23:32,107
IT HAS FEWER RISKS
AND REQUIRES ONLY TWO PLAYERS.
363
00:23:32,109 --> 00:23:33,776
NOW, I'M SORRY TO BE
SUCH A SPOILSPORT,
364
00:23:33,778 --> 00:23:36,578
BUT I REALLY MUST INSIST ON
CARRYING SEADOWN OFF.
365
00:23:36,580 --> 00:23:38,814
THE FACT IS, SEADOWN,
IT'S ABOUT TIME YOUR HOSTESSES
366
00:23:38,816 --> 00:23:40,315
FOUND OUT YOU DO NOT
GO WITH THE HOUSE.
367
00:23:40,317 --> 00:23:41,816
IDINA!
368
00:23:41,818 --> 00:23:43,552
WE MUSTN'T ALLOW
THESE YOUNG LADIES TO FEEL
369
00:23:43,554 --> 00:23:46,255
THAT YOUR VISITS ARE MADE
ON THEIR ACCOUNT, MUST WE?
370
00:23:46,257 --> 00:23:48,524
EVERYONE KNOWS AMERICAN GIRLS
LIKE TO FLIRT.
371
00:23:48,526 --> 00:23:50,392
PERHAPS THEY NEED
A LESSON IN GOOD MANNERS.
372
00:23:50,394 --> 00:23:52,994
VIRGINIA, WHAT ARE
YOU WAITING FOR?
373
00:23:52,996 --> 00:23:56,064
DON'T YOU SEE
THAT LORD SEADOWN HAS
NO RIGHT TO SPEAK UNTIL YOU DO?
374
00:23:56,066 --> 00:23:59,802
WHY DON'T YOU TELL HIM
AT ONCE THAT HE HAS YOUR
PERMISSION TO ANNOUNCE...
375
00:23:59,804 --> 00:24:02,871
I DON'T KNOW, THAT HE HAS
YOUR PERMISSION TO ANNOUNCE
YOUR ENGAGEMENT.
376
00:24:04,608 --> 00:24:07,109
( laughing )
SEADOWN...
377
00:24:12,516 --> 00:24:15,583
( ducks quacking )
378
00:24:22,893 --> 00:24:26,161
Seadown:
MISS HATTON IS SUCH AN OLD
FRIEND OF MINE, VIRGINIA.
379
00:24:26,163 --> 00:24:28,730
I'M SURE SHE WILL BE THE FIRST
TO CONGRATULATE ME,
380
00:24:28,732 --> 00:24:31,266
IF ONLY YOU WILL TELL HER
THAT SHE MAY.
381
00:24:59,963 --> 00:25:02,330
OH! OH!
382
00:25:02,332 --> 00:25:05,667
WE MIGHT HAVE BETTER
STAYED IN NEW YORK, MISS MARCH.
383
00:25:05,669 --> 00:25:08,804
OH, I DON'T KNOW
WHAT IT ALL MEANS.
384
00:25:08,806 --> 00:25:10,806
IT MEANS, MY DEAR,
385
00:25:10,808 --> 00:25:14,343
THAT VIRGINIA IS GOING TO BE
THE FIRST MARCHIONESS
OF ENGLAND.
386
00:25:14,345 --> 00:25:16,478
( groans )
387
00:25:16,480 --> 00:25:17,546
OH!
388
00:25:18,682 --> 00:25:20,081
OH!
389
00:25:22,452 --> 00:25:25,287
YOU MEAN THAT LORD SEADOWN
390
00:25:25,289 --> 00:25:28,190
IS GOING TO BE THE "MAR-KEY"
OF BRIGHTLINGSEA?
391
00:25:28,192 --> 00:25:30,692
MAR-QUIS.
YES, MY DEAR.
392
00:25:30,694 --> 00:25:33,161
OH, THEY HAVE SO MANY NAMES!
393
00:25:33,163 --> 00:25:35,764
I GET THEM ALL MUDDLED.
394
00:25:35,766 --> 00:25:38,400
I THOUGHT THAT LORD PERCY
395
00:25:38,402 --> 00:25:42,104
WAS GOING TO BE
THE MARQUIS OF BRIGHTLINGSEA.
396
00:25:42,106 --> 00:25:43,772
NO, MRS. ST. GEORGE.
397
00:25:43,774 --> 00:25:45,841
LORD PERCY IS
NOT A BRIGHTLINGSEA,
398
00:25:45,843 --> 00:25:49,244
AND FORTUNATELY IS NOT
GOING TO BE THE MARQUIS
OF ANYTHING.
399
00:25:49,246 --> 00:25:52,848
BUT... OH, DEAR!
OH, DEAR, LOOK AT POOR CONCHITA.
400
00:25:52,850 --> 00:25:56,518
LORD RICHARD, HE DRINKS.
401
00:25:56,520 --> 00:25:58,887
AND RUNS AROUND.
402
00:25:58,889 --> 00:26:01,856
AND, WELL, SHE NEVER
SEEMS TO HAVE--
403
00:26:01,858 --> 00:26:03,792
SHE NEVER SEEMS TO HAVE
ENOUGH MONEY.
404
00:26:03,794 --> 00:26:07,763
OH, BUT SEADOWN
IS THE GOOD SON,
MRS. ST. GEORGE.
405
00:26:07,765 --> 00:26:10,199
HE'LL NEVER
GIVE VIRGINIA ANY TROUBLE.
406
00:26:10,201 --> 00:26:13,635
OH!
OH, MY GOODNESS!
407
00:26:13,637 --> 00:26:16,772
WE MUST SEND A TELEGRAM
TO THE COLONEL IMMEDIATELY!
408
00:26:16,774 --> 00:26:18,740
OH, I WANT HIM TO TELL
ALL OF THOSE PEOPLE
409
00:26:18,742 --> 00:26:21,110
HE KNOWS IN NEW YORK
ALL ABOUT OUR VIRGINIA.
410
00:26:21,112 --> 00:26:22,878
I WANT THEM ALL TO KNOW!
411
00:26:22,880 --> 00:26:25,914
OH, I WANT
MRS. PARMORE TO GO
412
00:26:25,916 --> 00:26:28,850
MAD WITH ENVY.
( giggles )
413
00:26:33,290 --> 00:26:34,756
( sighs )
414
00:26:45,102 --> 00:26:46,534
WHOA!
415
00:26:48,338 --> 00:26:50,405
GOOD AFTERNOON,
YOUR GRACE.
416
00:26:50,407 --> 00:26:53,274
- ELSE ANYONE ON HAND?
- NO, SIR.
417
00:26:53,276 --> 00:26:55,510
THAT IS, YES.
418
00:26:55,512 --> 00:26:58,380
CAN YOU BE SO GOOD
AS TO ANNOUNCE ME?
419
00:27:04,287 --> 00:27:07,489
NO, I'M SORRY,
I DON'T GIVE A TOSS
FOR YOUR REASONS!
420
00:27:07,491 --> 00:27:09,957
I'D HAVE SOONER DIED
THAN SELL THE TITIAN.
421
00:27:09,959 --> 00:27:12,460
DAMN YOU, STANDING THERE
WITH THAT SUPERIOR LOOK
ON YOUR FACE.
422
00:27:12,462 --> 00:27:14,195
YOU WAITED TILL MY BACK
WAS TURNED!
423
00:27:14,197 --> 00:27:15,396
RUBBISH!
424
00:27:15,398 --> 00:27:17,198
MR. PLEASANTS HAPPENED
TO BE IN THE AREA.
425
00:27:17,200 --> 00:27:20,102
I DON'T BELIEVE A WORD OF IT!
YOU EXPECTED ME TO BE
WELL OUT OF IT!
426
00:27:20,104 --> 00:27:23,538
- MR. PLEASANTS, SUPPORT ME.
- NOT A WORD, MR. PLEASANTS.
427
00:27:23,540 --> 00:27:25,841
YOU EXPECTED ME
TO BE IN LONDON, SIR!
428
00:27:25,843 --> 00:27:27,943
AND I CALL THAT COWARDLY
AND UNDERHANDED!
429
00:27:27,945 --> 00:27:30,178
IF YOU WOULD ONLY BE QUIET
FOR ONE MINUTE!
430
00:27:30,180 --> 00:27:32,347
I WILL BE DAMNED
IF I WILL BE QUIET,
431
00:27:32,349 --> 00:27:35,450
ONLY TO HAVE YOU
TELL ME A PACK OF LIES!
432
00:27:48,765 --> 00:27:51,499
( bird squawks )
433
00:28:10,721 --> 00:28:13,287
WHATEVER IS
THE MATTER, MAMA?
434
00:28:13,289 --> 00:28:15,924
SEADOWN IS TO MARRY
AN AMERICAN.
435
00:28:17,027 --> 00:28:18,960
- SEADOWN?
- YES.
436
00:28:18,962 --> 00:28:21,730
HE USED TO BE HERE
SO OFTEN AT ONE TIME
437
00:28:21,732 --> 00:28:23,064
THAT I HAD HOPED...
438
00:28:23,066 --> 00:28:24,699
LET ME SEE.
439
00:28:24,701 --> 00:28:27,002
Lady Gertrude:
YOU KNOW PERFECTLY WELL
THAT SEADOWN HAS BEEN
440
00:28:27,004 --> 00:28:29,204
IDINA HATTON'S
PROPERTY FOR YEARS.
441
00:28:29,206 --> 00:28:31,440
AND NOBODY'S HAD A CHANCE
AGAINST HER.
442
00:28:31,442 --> 00:28:33,842
NOBODY BUT SOME
ODIOUS AMERICAN GIRL.
443
00:28:33,844 --> 00:28:36,678
I DARE SAY
THE AMERICANS USE MEANS
444
00:28:36,680 --> 00:28:40,148
THAT WELL-BRED ENGLISH GIRLS
WOULDN'T STOOP TO.
445
00:28:40,150 --> 00:28:42,350
I WISH I KNEW WHAT THEY WERE.
446
00:28:42,352 --> 00:28:45,988
AS A MATTER OF FACT,
I'VE MET MISS ST. GEORGE.
447
00:28:45,990 --> 00:28:48,090
SHE IS WONDERFULLY
BEAUTIFUL.
448
00:28:48,092 --> 00:28:51,226
AND I DARE SAY,
SHE HAS MONEY.
449
00:28:51,228 --> 00:28:53,828
I CAN NAME SEVERAL ENGLISH GIRLS
WHOSE SETTLEMENTS WOULD MATCH
450
00:28:53,830 --> 00:28:55,163
THAT OF ANY LITTLE AMERICAN.
451
00:28:55,165 --> 00:28:58,700
WHY NOT JUST MARRY ME TO
A ROTHSCHILD AND HAVE IT DONE?
452
00:28:58,702 --> 00:29:00,034
( door opens )
453
00:29:00,036 --> 00:29:02,137
MR. THWAITE, YOUR GRACE.
454
00:29:03,440 --> 00:29:06,107
GOOD MORNING, DUCHESS.
LADY GERTRUDE.
455
00:29:06,109 --> 00:29:08,877
HAVE YOU HAD BREAKFAST?
456
00:29:08,879 --> 00:29:10,778
I HAVE,
THANK YOU, YES.
457
00:29:15,652 --> 00:29:17,085
( horse neighs )
458
00:29:17,087 --> 00:29:19,788
I'D LIKE TO APOLOGIZE
FOR YESTERDAY.
459
00:29:19,790 --> 00:29:23,592
MATTER OF FACT,
I JUST NARROWLY AVOIDED
A SIMILAR SCENE.
460
00:29:23,594 --> 00:29:26,194
I COULDN'T HAVE BORN
ANOTHER MINUTE UNDER
MY MOTHER'S ROOF.
461
00:29:26,196 --> 00:29:28,430
NOR I UNDER MY FATHER'S.
462
00:29:30,000 --> 00:29:31,399
Guy:
PLAGUE ON BOTH THEM.
463
00:29:36,507 --> 00:29:39,407
Julius: WHAT SAY YOU
WE CALL IN AT RUNNYMEAD,
AND GO SEE MISS ST. GEORGE?
464
00:29:39,409 --> 00:29:41,009
THAT'S A SPLENDID IDEA.
465
00:29:44,948 --> 00:29:48,683
THE REASON I COULDN'T
SEE YOU THE OTHER DAY,
I'VE HAD SOME NEWS.
466
00:29:48,685 --> 00:29:50,351
POOR OLD MR. HORACE
IS AS GOOD AS DEAD--
467
00:29:50,353 --> 00:29:52,253
HIS DOCTORS
GIVE HIM SIX MONTHS.
468
00:29:52,255 --> 00:29:54,789
NATURALLY, WE'VE AGREED,
THE LOCAL MEMBERS AND MYSELF,
469
00:29:54,791 --> 00:29:57,859
TO CALL A BI-ELECTION
AT THE FIRST POSSIBLE
OPPORTUNITY.
470
00:30:00,330 --> 00:30:02,531
I'M ASKING YOU
TO STAND, GUY!
471
00:30:03,600 --> 00:30:04,899
IT'S IMPOSSIBLE.
472
00:30:04,901 --> 00:30:06,834
ISN'T THAT WHAT
WE'VE ALWAYS PLANNED?
473
00:30:06,836 --> 00:30:08,536
YES, IT IS.
474
00:30:08,538 --> 00:30:11,640
BUT YOU MUST KNOW,
I CAN DO NOTHING FOR MYSELF NOW.
475
00:30:11,642 --> 00:30:14,275
FINANCIALLY, YOU MEAN?
I WOULD SEE TO YOUR EXPENSES.
476
00:30:14,277 --> 00:30:16,477
IT'S IMPOSSIBLE, JULIUS.
477
00:30:16,479 --> 00:30:18,246
WELL, YOU MUST AT LEAST
EXPLAIN YOURSELF.
478
00:30:19,949 --> 00:30:22,284
MY REASON FOR GOING
UP TO LONDON NOW
479
00:30:22,286 --> 00:30:24,119
IS TO TALK
TO THE RIALTO COMPANY
480
00:30:24,121 --> 00:30:27,155
ABOUT WORK ON THEIR RAILWAYS
IN SOUTH AMERICA.
481
00:30:27,157 --> 00:30:28,856
OH...
482
00:30:31,227 --> 00:30:32,960
I SEE.
483
00:30:34,597 --> 00:30:36,598
WHY SOUTH AMERICA?
484
00:30:36,600 --> 00:30:40,268
I HAVE TO DO SOMETHING
TO SECURE HONORSLOVE.
485
00:30:40,270 --> 00:30:42,971
THERE'S NO OTHER COURSE
OPEN TO ME.
486
00:30:42,973 --> 00:30:44,506
SEADOWN FOUND A WAY.
487
00:30:44,508 --> 00:30:46,875
( chuckles )
POOR OLD SEADY.
488
00:30:46,877 --> 00:30:48,576
BITTEN THE BULLET AT LAST.
489
00:30:48,578 --> 00:30:49,944
PRETTY BULLET.
490
00:30:52,115 --> 00:30:54,516
I MET THE YOUNGER
MISS ST. GEORGE RECENTLY.
491
00:30:54,518 --> 00:30:56,651
- OH?
- BY CHANCE, AT TREVENICK.
492
00:30:56,653 --> 00:30:59,988
I SHOWED HER OVER
THE OLD PLACE, SHE SEEMED
TO LIKE IT RATHER.
493
00:31:01,792 --> 00:31:04,492
I TOLD MYSELF I'D LOOK FOR
AN ENGLISH GIRL EXACTLY
LIKE HER.
494
00:31:06,429 --> 00:31:10,832
I'M SURE IF NOT MISTAKING
THE COPYING,
495
00:31:10,834 --> 00:31:14,302
I BELIEVE I SPENT RATHER
TOO LONG STUDYING THE ORIGINAL.
496
00:31:21,311 --> 00:31:24,112
I SHALL NOT
CALL UP RUNNYMEAD WITH YOU.
497
00:31:24,114 --> 00:31:26,747
I'M IN NO MOOD FOR FLIRTING.
498
00:31:26,749 --> 00:31:30,618
BESIDES, SOMEONE IN MY FAMILY
HAS TO BE ABLE TO RESIST
A PRETTY FACE.
499
00:31:32,689 --> 00:31:35,723
BUT YOU KNOW I DON'T INTEND
TO STAY IN SOUTH AMERICA
FOREVER.
500
00:31:35,725 --> 00:31:37,925
I'M ONLY GOING AWAY
THE BETTER TO COME HOME.
501
00:31:39,229 --> 00:31:40,762
I'LL DRINK TO THAT.
502
00:31:45,102 --> 00:31:46,802
TO YOU, SIR.
503
00:31:52,376 --> 00:31:54,109
OH, I'M SO SORRY,
YOUR GRACE,
504
00:31:54,111 --> 00:31:56,243
BUT THERE'S
NO ONE HERE TO GREET YOU.
505
00:31:56,245 --> 00:31:58,379
EVERYONE'S IN LONDON.
506
00:31:58,381 --> 00:32:00,214
YOU ARE HERE.
507
00:32:00,216 --> 00:32:02,116
YES, I...
508
00:32:07,157 --> 00:32:08,957
AND MISS ANNABEL,
509
00:32:08,959 --> 00:32:11,793
WILL SHE REMAIN IN LONDON
AFTER THE WEDDING?
510
00:32:11,795 --> 00:32:13,528
OH, MISS ANNABEL
WILL NATURALLY GO HOME
511
00:32:13,530 --> 00:32:15,697
TO AMERICA
WITH HER PARENTS.
512
00:32:15,699 --> 00:32:18,366
SURELY, YOU KNOW,
SHE'S OUT NOW,
513
00:32:18,368 --> 00:32:22,871
SO HER PARENTS ARE
VERY ANXIOUS FOR HER TO HAVE
A FIRST NEW YORK SEASON.
514
00:32:27,010 --> 00:32:29,510
HAS IT MATTER
SUCH THINGS AS
A NEW YORK SEASON.
515
00:32:35,151 --> 00:32:37,819
YOU MUST ASSUME,
MS. TESTVALLEY--
516
00:32:37,821 --> 00:32:39,821
THAT IS TO SAY...
517
00:32:39,823 --> 00:32:42,324
I HAVE DECIDED...
518
00:32:42,326 --> 00:32:44,192
YES?
519
00:32:44,194 --> 00:32:46,560
I INTEND TO ASK
MISS ANNABEL TO MARRY ME.
520
00:32:53,303 --> 00:32:57,805
WELL, ARRANGING MARRIAGES
IS NO PART OF MY DUTIES,
YOUR GRACE.
521
00:32:57,807 --> 00:33:00,875
BUT IF YOU WISH TO SPEAK
TO MRS. ST. GEORGE--
522
00:33:00,877 --> 00:33:02,811
OH, NO, I DON'T.
UH...
523
00:33:02,813 --> 00:33:05,179
I UNDERSTOOD THAT IN AMERICA,
524
00:33:05,181 --> 00:33:07,615
IN WAS THE CUSTOM TO SPEAK
TO THE YOUNG LADY HERSELF.
525
00:33:07,617 --> 00:33:09,484
BUT KNOWING
HOW CLOSE YOU ARE,
526
00:33:09,486 --> 00:33:11,820
HOW FOND YOU ARE
OF MISS ANNABEL--
527
00:33:11,822 --> 00:33:13,788
YES, I AM VERY FOND
OF ANNABEL.
528
00:33:13,790 --> 00:33:17,158
I NEED TO KNOW
IF HER FEELINGS
529
00:33:17,160 --> 00:33:18,860
CORRESPOND IN ANY DEGREE
TO MINE.
530
00:33:20,263 --> 00:33:23,365
I REALLY CAN'T ANSWER THAT.
531
00:33:25,435 --> 00:33:27,134
YOU MEAN,
SHE HASN'T SPOKEN TO YOU?
532
00:33:29,106 --> 00:33:32,807
ANNABEL IS IN SO MANY WAYS
STILL A CHILD.
533
00:33:32,809 --> 00:33:35,844
SHE JUDGES A LOT OF THINGS
AS A CHILD WOULD.
534
00:33:35,846 --> 00:33:37,979
YES.
535
00:33:37,981 --> 00:33:40,081
YES, IT'S...
536
00:33:40,083 --> 00:33:42,850
IT'S HER CHILDISH INNOCENCE,
537
00:33:42,852 --> 00:33:45,186
HER INDIFFERENCE TO MONEY,
THAT SORT OF THING,
538
00:33:45,188 --> 00:33:46,654
THAT I VALUE SO IMMENSELY.
539
00:33:49,126 --> 00:33:51,192
YOUR GRACE...
540
00:33:51,194 --> 00:33:55,230
I ONLY WANT YOU
TO UNDERSTAND THAT...
541
00:33:55,232 --> 00:33:58,366
NAN MAYBE ONE THING NOW,
542
00:33:58,368 --> 00:34:00,634
BUT IN A YEAR OR TWO,
543
00:34:00,636 --> 00:34:03,071
SHE MAYBE SOMETHING
ALTOGETHER DIFFERENT.
544
00:34:03,073 --> 00:34:06,774
AND THAT IS WHY
I SOLEMNLY ADVISE YOU TO WAIT.
545
00:34:08,444 --> 00:34:10,478
PLEASE GIVE NAN TIME
TO GROW UP.
546
00:34:21,258 --> 00:34:23,892
Colonel St. George:
SIX THOUSAND, YOU SAY?
547
00:34:23,894 --> 00:34:25,860
SIX THOUSAND A YEAR,
548
00:34:25,862 --> 00:34:31,299
AND VIRGINIA'S JOINTURE
IS TO BE BUT 1,300.
549
00:34:33,203 --> 00:34:34,869
NO, SIR.
550
00:34:34,871 --> 00:34:38,773
IN THOSE VERY PARTICULARS, NO.
551
00:34:41,944 --> 00:34:43,378
Lord Brightlingsea:
WRONG END.
552
00:34:49,352 --> 00:34:51,152
LEFT HAND
BEHIND YOUR BACK.
553
00:35:05,035 --> 00:35:06,501
HMM...
554
00:35:06,503 --> 00:35:08,202
STILL, IN ALL,
LORD BRIGHTLINGSEA,
555
00:35:08,204 --> 00:35:10,071
YOU ARE A MAN
I COULD DO BUSINESS WITH.
556
00:35:10,073 --> 00:35:15,576
YES, SIR, I SAW THAT THE FIRST
MOMENT I CLAPPED EYES ON YOU.
557
00:35:15,578 --> 00:35:18,646
ADDED TO WHICH...
558
00:35:18,648 --> 00:35:21,215
WE EACH HAVE SOMETHING
THE OTHER ONE WANTS.
559
00:35:21,217 --> 00:35:24,852
AND IF THAT'S
NOT A GOOD BEGINNING,
I DON'T KNOW WHAT IS!
560
00:35:24,854 --> 00:35:26,954
FOR INSTANCE,
LORD BRIGHTLINGSEA,
561
00:35:26,956 --> 00:35:29,190
I HAVE AN ELECTRIC COMPANY.
562
00:35:29,192 --> 00:35:31,426
YOU HAVE A TITLE.
563
00:35:53,550 --> 00:35:56,050
OH, I HAVE
SOMETHING FOR YOU, DARLING.
564
00:36:07,931 --> 00:36:09,731
OH!
565
00:36:09,733 --> 00:36:11,599
OH, MAMA.
566
00:36:11,601 --> 00:36:13,434
( chuckles )
567
00:36:16,706 --> 00:36:22,777
� ON WINGS OF SONG
I'LL BATHE THEE �
568
00:36:22,779 --> 00:36:29,416
� ON WAY TO FAIRYLAND �
569
00:36:29,418 --> 00:36:34,689
� WHILE EYES MY SWEET
SCENTED GARDEN �
570
00:36:34,691 --> 00:36:40,561
� ARE WAITING
FOR THEM TO PASS �
571
00:36:40,563 --> 00:36:46,701
� THE MOONBEAMS
ARE FILLING MY GARDEN... �
572
00:36:46,703 --> 00:36:48,536
( children chattering )
573
00:37:00,950 --> 00:37:02,584
VERY NICE, THANK YOU.
574
00:37:04,588 --> 00:37:06,287
HELLO, NICE TO SEE YOU.
575
00:37:14,330 --> 00:37:22,036
� YOU WELCOME THEE TONIGHT... �
576
00:37:22,038 --> 00:37:23,571
VERY NICE, VERY GOOD.
577
00:37:23,573 --> 00:37:26,641
I GUESS THIS MUST BE
CONNIE'S FRONT PARLOR.
578
00:37:26,643 --> 00:37:28,676
YES, YES.
579
00:37:30,680 --> 00:37:32,613
LORD RICHARD!
580
00:37:32,615 --> 00:37:35,149
WE MEET AGAIN!
581
00:37:35,151 --> 00:37:38,819
AND I AM HAPPY AND PROUD
OF THE CIRCUMSTANCES.
582
00:37:38,821 --> 00:37:40,822
LADY RICHARD...
583
00:37:40,824 --> 00:37:43,358
- VERY NICE TO SEE YOU.
- NICE TO SEE YOU TOO.
584
00:37:43,360 --> 00:37:44,859
( clears throat )
585
00:37:44,861 --> 00:37:47,161
WHO IS THAT
COMMON-LOOKING MAN?
586
00:37:47,163 --> 00:37:49,064
THAT IS HECTOR ROBINSON,
587
00:37:49,066 --> 00:37:51,866
LIZZY ELMSWORTH'S FUTURE
HUSBAND, I SHOULDN'T WONDER.
588
00:37:51,868 --> 00:37:53,334
OH, DEAR.
589
00:37:53,336 --> 00:37:56,438
ACTUALLY,
HE'S RATHER GOOD NEWS.
590
00:37:58,475 --> 00:38:00,141
GOOD NEWS OR NOT,
591
00:38:00,143 --> 00:38:02,910
SOMEONE SHOULD EXPLAIN
THE FORM TO HER.
592
00:38:02,912 --> 00:38:04,879
OH, I DON'T THINK LIZZY
NEEDS ANYTHING EXPLAINED.
593
00:38:04,881 --> 00:38:07,215
I THINK SHE'S WAITING TO SEE
HOW HE TURNS OUT.
594
00:38:11,954 --> 00:38:13,487
YOU!
595
00:38:13,489 --> 00:38:15,556
- LADY BRIGHTLINGSEA!
- MY DEAR.
596
00:38:15,558 --> 00:38:18,126
AH, MR. ROBINSON.
597
00:38:18,128 --> 00:38:21,061
NO DOUBT YOU'LL DO VERY WELL,
YOUNG MAN.
598
00:38:30,606 --> 00:38:32,206
YOUR GRACE.
599
00:38:34,911 --> 00:38:36,176
JULIUS.
600
00:39:24,727 --> 00:39:26,393
MR. THWAITE.
601
00:39:29,432 --> 00:39:31,332
I DID SO HOPE
YOU'D BE HERE.
602
00:39:31,334 --> 00:39:33,734
OF COURSE I'M HERE.
603
00:39:36,306 --> 00:39:38,573
SEADOWN AND I WERE
AT SCHOOL TOGETHER.
604
00:39:38,575 --> 00:39:40,408
OH, OF COURSE.
605
00:39:46,349 --> 00:39:48,049
EXCUSE ME, YOUR GRACE.
606
00:39:48,051 --> 00:39:49,751
LORD RICHARD.
607
00:39:55,758 --> 00:39:58,760
MS. TESTVALLEY,
I'D LIKE TO INTRODUCE YOU
TO SIR HELMSLEY THWAITE.
608
00:39:58,762 --> 00:40:01,229
SIR HELMSLEY,
MY GOVERNESS MS. TESTVALLEY.
609
00:40:01,231 --> 00:40:03,363
OR VAL AS I CALL HER.
610
00:40:03,365 --> 00:40:07,001
I'M OUT, YOU KNOW,
BUT I, I WON'T LET
MS. TESTVALLEY GO.
611
00:40:08,305 --> 00:40:10,238
DELIGHTED,
MS. TESTVALLEY.
612
00:40:11,975 --> 00:40:15,109
AND SIR HELMSLEY'S SON,
MR. GUY THWAITE.
613
00:40:15,111 --> 00:40:17,111
- MS. TESTVALLEY.
- PLEASURE.
614
00:40:17,113 --> 00:40:20,714
THERE, NOW YOU'VE BOTH MET
MY MOST FAVORITE PERSON
IN THE WORLD.
615
00:40:20,716 --> 00:40:22,683
OH, REALLY,
ANNABEL.
616
00:40:22,685 --> 00:40:25,052
NO, WHAT A WONDERFUL
COMPLIMENT.
617
00:40:25,054 --> 00:40:28,456
MS. TESTVALLEY ADORES
THE PRE-RAPHAELITES,
SIR HELMSLEY.
618
00:40:28,458 --> 00:40:30,924
I PROMISED HER
A VISIT TO HONORSLOVE
TO SEE YOUR ROSETTI.
619
00:40:30,926 --> 00:40:32,760
ANNABEL, YOU'VE DONE
NO SUCH THING!
620
00:40:32,762 --> 00:40:36,197
NO, NO, A YOUNG LADY
MUST ALWAYS KEEP HER PROMISES,
621
00:40:36,199 --> 00:40:38,566
ESPECIALLY THOSE
SHE ONLY MAKES TO HERSELF.
622
00:40:43,573 --> 00:40:46,707
TO BE FRANK,
MR. ROBINSON,
623
00:40:46,709 --> 00:40:49,043
YOU ARE
THE FIRST ENGLISH GENTLEMAN
624
00:40:49,045 --> 00:40:52,113
THAT I HAVE COME ACROSS
WHO SHOWS ANY SIGNS
OF ANY GET-UP-AND-GO!
625
00:40:52,115 --> 00:40:54,548
DO I?
( laughs )
626
00:40:54,550 --> 00:40:56,717
LORD BRIGHTLINGSEA HAS
DONE ME THE IMMEASURABLE HONOR
627
00:40:56,719 --> 00:40:58,953
OF LENDING HIS TITLE
TO MY COMPANY.
628
00:40:58,955 --> 00:41:01,722
- RIGHT.
- I CAN'T TELL YOU WHAT THAT'S
WORTH IN THE UNITED STATES.
629
00:41:01,724 --> 00:41:04,559
BUT HAVE I BEEN ABLE TO RAISE
ANY CASH IN THIS COUNTRY?
630
00:41:04,561 --> 00:41:06,527
- NO, I HAVE NOT!
- NO-- NO, I KNOW.
631
00:41:06,529 --> 00:41:08,729
CURIOUS THING.
632
00:41:08,731 --> 00:41:11,599
THE WHOLE WORLD KNOWS ENGLAND
TO BE A GREAT COMMERCIAL SUCCESS
633
00:41:11,601 --> 00:41:14,869
BUT I'M WARNING YOU,
LOOK TO YOUR LAURELS,
634
00:41:14,871 --> 00:41:16,871
OR THE GERMANS'LL
HAVE 'EM,
635
00:41:16,873 --> 00:41:20,574
OR... YOUR COUSINS
ACROSS THE ATLANTIC.
636
00:41:23,012 --> 00:41:25,579
- MY LORD.
- AHH-- SIT.
637
00:41:33,423 --> 00:41:37,358
THE COLONEL BELIEVES ENGLAND
IS IN DANGER OF LOSING
THEIR GREATNESS.
638
00:41:37,360 --> 00:41:39,193
AH, DOES HE?
639
00:41:39,195 --> 00:41:42,096
WE CANNOT LET THAT PASS
WITHOUT A FIGHT, CAN WE?
640
00:41:42,098 --> 00:41:45,466
AH, I BLAME
THE YOUNGER GENERATION.
641
00:41:45,468 --> 00:41:47,168
- ( laughing )
- IT IS MORE LOST.
642
00:41:47,170 --> 00:41:50,338
AH, DAMN IT,
THEY CAN'T EVEN CURSE!
643
00:41:50,340 --> 00:41:53,974
AND THERE'S
THIS INDECENT CRAZE
WITH DEMOCRACY.
644
00:41:53,976 --> 00:41:56,210
I'VE BEEN SAYING,
COLONEL,
645
00:41:56,212 --> 00:41:59,179
OUR TROUBLE IS ALL BLAMED
ON THE WEST.
646
00:41:59,181 --> 00:42:02,049
NOT THE LEAST,
BAD WEATHER.
647
00:42:02,051 --> 00:42:05,219
WITH YOUR DAMNED
AMERICAN DEMOCRACY.
648
00:42:05,221 --> 00:42:09,090
I DON'T SEE YOU BEING
MUCH TROUBLED BY DEMOCRACY.
649
00:42:10,960 --> 00:42:14,095
( operatic singing in Latin )
650
00:42:17,233 --> 00:42:19,100
DAMNED ITALIANS.
651
00:42:20,903 --> 00:42:22,803
- ( song ends )
- ( laughter )
652
00:42:22,805 --> 00:42:24,838
( applause )
653
00:42:27,877 --> 00:42:29,944
I CAN'T JUST LEAVE
THE GUESTS.
654
00:42:29,946 --> 00:42:32,079
IT'S OUR PARTY,
MY DEAR.
655
00:42:32,081 --> 00:42:33,847
FOLLOW ME.
656
00:42:36,252 --> 00:42:38,118
THERE'S A BOOK
I WANTED TO SHOW YOU.
657
00:42:40,356 --> 00:42:42,189
LET ME SEE...
658
00:42:46,695 --> 00:42:48,629
( laughter )
659
00:42:48,631 --> 00:42:50,564
SECRET DOOR.
660
00:42:57,240 --> 00:42:59,273
( Virginia gasps )
661
00:42:59,275 --> 00:43:01,842
WHAT IS THIS?
662
00:43:01,844 --> 00:43:03,877
IT'S THE WEST WING.
663
00:43:06,015 --> 00:43:08,716
PROBABLY NOBODY'S
BEEN UP HERE FOR 20 YEARS.
664
00:43:19,262 --> 00:43:21,529
( both chuckle )
665
00:43:21,531 --> 00:43:24,765
WE USED TO TERRIFY OURSELVES
PLAYING HIDE AND SEEK IN HERE
WHEN WE WERE LITTLE.
666
00:43:24,767 --> 00:43:27,268
I'M NOT SURPRISED.
667
00:43:27,270 --> 00:43:29,437
MY ANCESTORS
SPENT SEVEN FORTUNES
668
00:43:29,439 --> 00:43:31,939
ON THE FURNISHING
AND DECORATION OF THIS WING.
669
00:43:31,941 --> 00:43:34,876
THIS WAS ONCE THE MOST
BEAUTIFUL BALLROOM
IN THE LAND.
670
00:43:34,878 --> 00:43:37,044
LEFT TO MOLD.
671
00:43:38,248 --> 00:43:39,647
SO SAD.
672
00:43:39,649 --> 00:43:41,382
WHY IS IT LEFT LIKE THIS?
673
00:43:41,384 --> 00:43:43,918
BECAUSE, MY DEAR,
WE CAN'T AFFORD TO DO IT UP.
674
00:43:43,920 --> 00:43:45,853
WHAT DO YOU MEAN,
YOU CAN'T AFFORD IT?
675
00:43:45,855 --> 00:43:49,423
JUST THAT-- MONEY.
676
00:43:49,425 --> 00:43:51,058
DO YOU RECALL
THE FILTHY STUFF?
677
00:43:51,060 --> 00:43:52,526
MM-HMM.
678
00:43:52,528 --> 00:43:54,528
I SCARCELY DO, FOR WE
HAVEN'T HAD ANY FOR AGES.
679
00:43:54,530 --> 00:43:56,363
WHEREAS YOU...
680
00:43:58,301 --> 00:44:00,968
WHAT'S THAT
QUAINT EXPRESSION
YOU USE IN AMERICA?
681
00:44:00,970 --> 00:44:03,704
TIN-- ISN'T THAT
WHAT YOU CALL IT?
682
00:44:03,706 --> 00:44:07,775
WHEN ALL THIS HAS BEEN
RESTORED TO ITS FORMER GLORY,
683
00:44:07,777 --> 00:44:11,746
THEN PERHAPS
WE MAY RENAME IT, HMM?
684
00:44:13,449 --> 00:44:15,616
THE ST. GEORGE WING.
685
00:44:15,618 --> 00:44:17,585
WHAT DO YOU SAY?
686
00:44:17,587 --> 00:44:21,055
OR DOES THAT SOUND RATHER
TOO MUCH LIKE A HOSPITAL, HMM?
687
00:44:23,759 --> 00:44:25,626
YOU'RE AWFULLY QUIET,
MY DEAR.
688
00:44:27,096 --> 00:44:28,596
IF YOU NEED MONEY,
WHY DON'T YOU SELL
689
00:44:28,598 --> 00:44:30,398
SOME OF THE PAINTINGS
YOU NEVER LOOK AT?
690
00:44:30,400 --> 00:44:33,901
BECAUSE MY GREAT-GRANDFATHER,
WHO DISLIKED AND DISTRUSTED
HIS CHILDREN--
691
00:44:33,903 --> 00:44:36,037
QUITE RIGHTLY,
AS IT TURNED OUT--
692
00:44:36,039 --> 00:44:39,106
PLACED ALL THE BRIGHTLINGSEA
TREASURES IN TRUST.
693
00:44:39,108 --> 00:44:41,308
IF...
694
00:44:41,310 --> 00:44:44,378
OH, IF THE FLOOR
OF THIS BALLROOM
WERE PAVED IN GOLD,
695
00:44:44,380 --> 00:44:46,814
I SHOULDN'T BE ABLE
TO DISPOSE OF AN OUNCE OF IT.
696
00:44:55,691 --> 00:44:58,259
ARE YOU SAYING THAT YOU'VE
MARRIED ME FOR MY MONEY?
697
00:44:58,261 --> 00:44:59,994
OH NOW, CALM DOWN.
698
00:44:59,996 --> 00:45:02,129
I THINK
WE HAVE A FAIR EXCHANGE.
699
00:45:02,131 --> 00:45:04,131
WHAT ABOUT US?
700
00:45:18,381 --> 00:45:19,579
WHAT ABOUT ME?
701
00:45:19,581 --> 00:45:22,316
OH, YOU MEAN LOVE,
I SUPPOSE.
702
00:45:24,854 --> 00:45:26,654
WHAT CAN I SAY?
703
00:45:29,091 --> 00:45:31,859
YOU'RE THE MOST
BEAUTIFUL WOMAN
I EVER SAW.
704
00:45:54,850 --> 00:45:56,817
BYE-BYE, GOOD LUCK.
705
00:46:07,997 --> 00:46:11,531
Colonel St. George:
OH, IMMEASURABLY.
706
00:46:15,070 --> 00:46:19,039
LAURA, PUT IN A GOOD WORD
FOR ME WITH CONNIE, WILL YOU?
707
00:46:19,041 --> 00:46:20,674
WHY SHOULD I DO THAT?
708
00:46:20,676 --> 00:46:24,245
BECAUSE, DAMN IT,
SHE WON'T EVEN SPEAK TO ME.
709
00:46:24,247 --> 00:46:26,613
TWO YEARS AGO,
YOU PROMISED ME
710
00:46:26,615 --> 00:46:29,817
THAT YOU WOULD RATHER DIE
THAN HARM A HAIR ON THAT
GIRL'S HEAD.
711
00:46:29,819 --> 00:46:32,519
BUT EVEN NOW, WHEN SHE'S
EXPECTING YOUR FIRST CHILD,
712
00:46:32,521 --> 00:46:36,023
YOU DO NOTHING
BUT HUMILIATE HER AND NEGLECT.
713
00:46:36,025 --> 00:46:37,991
IT'S NO WONDER
SHE WON'T SPEAK TO YOU.
714
00:46:45,167 --> 00:46:46,967
PAPA.
715
00:46:49,305 --> 00:46:50,804
- Woman
- Woman
716
00:46:50,806 --> 00:46:52,339
Lord Brightlingsea:
BYE-BYE, GOOD LUCK!
717
00:46:56,211 --> 00:46:59,346
OH, NAN, I WISH YOU WOULDN'T
GO BACK HOME AND DESERT ME.
718
00:46:59,348 --> 00:47:00,915
GINNY!
719
00:47:00,917 --> 00:47:03,483
I JUST WISH YOU
COULD COME WITH, THAT'S ALL.
720
00:47:03,485 --> 00:47:05,152
I LOVE YOU.
721
00:47:05,154 --> 00:47:08,522
- GOODBYE, DARLING.
- YOU'LL BE HAPPY.
722
00:47:08,524 --> 00:47:10,424
PULL YOURSELF TOGETHER,
RICHARD.
723
00:47:11,861 --> 00:47:14,461
Mrs. St. George:
GOODBYE, DARLING!
BON VOYAGE!
724
00:47:18,701 --> 00:47:20,334
GOODBYE, GINNY!
725
00:47:23,806 --> 00:47:25,739
( excitedly screaming )
726
00:47:28,444 --> 00:47:31,145
- BYE-BYE, GINNY!
- GOODBYE!
727
00:48:00,243 --> 00:48:02,576
Ms. Testvalley:
I'D FORGOTTEN HOW
VERY BEAUTIFUL IT IS.
728
00:48:02,578 --> 00:48:04,644
Sir Helmsley:
YES, ISN'T IT?
729
00:48:04,646 --> 00:48:06,947
AND HOW COME YOUR FATHER
KNEW ROSETTI?
730
00:48:06,949 --> 00:48:09,984
BOTH OUR FAMILIES
WERE ITALIAN EXILES.
731
00:48:11,253 --> 00:48:13,654
- AH, SO YOUR NAME...?
- YES.
732
00:48:13,656 --> 00:48:15,756
( exaggerated Italian accent )
LAURA TESTVALLIA.
733
00:48:15,758 --> 00:48:18,358
IT'S QUITE BEYOND THE SCOPE
OF ENGLISH LIPS.
734
00:48:18,360 --> 00:48:21,661
IT'S GIVEN ME
A VERY STRONG SENSE OF...
735
00:48:21,663 --> 00:48:24,665
FELLOW FEELING
FOR OUTSIDERS.
736
00:48:24,667 --> 00:48:28,836
AND HENCE YOUR LOYALTY
TO THIS LITTLE BAND
OF AMERICAN EXILES?
737
00:48:28,838 --> 00:48:30,837
YES.
738
00:48:30,839 --> 00:48:32,706
I COULD ALMOST
ENVY YOU, MS. TESTVALLEY.
739
00:48:32,708 --> 00:48:34,741
THE FREEDOM OF THE OUTSIDER,
AS YOU PUT IT,
740
00:48:34,743 --> 00:48:36,710
IS NO DOUBT TOUGH,
BUT REALLY...
741
00:48:36,712 --> 00:48:38,278
OH NO,
YOU'RE QUITE WRONG.
742
00:48:40,282 --> 00:48:41,915
NO, OUTSIDERS HAVE
EVEN LESS FREEDOM.
743
00:48:43,018 --> 00:48:44,685
WELL, ONE FALSE MOVE,
744
00:48:44,687 --> 00:48:47,521
PARTICULARLY AS A WOMAN,
745
00:48:47,523 --> 00:48:50,290
AND ONE IS CONSIGNED
TO OBLIVION.
746
00:48:52,027 --> 00:48:53,694
WELL, I STAND CORRECTED.
747
00:48:59,802 --> 00:49:03,203
I'VE... I'VE SO ENJOYED
BEING HERE AGAIN.
748
00:49:03,205 --> 00:49:04,838
( chuckles )
749
00:49:04,840 --> 00:49:06,173
( chuckles )
750
00:49:06,175 --> 00:49:08,108
I'M VERY HAPPY TO SEE YOU HERE,
MISS. ST. GEORGE.
751
00:49:08,110 --> 00:49:09,943
THANK YOU.
752
00:49:09,945 --> 00:49:12,780
UNFORTUNATELY, I SHANT
DO SO AGAIN FOR A LONG TIME.
753
00:49:14,049 --> 00:49:15,716
WHY DO YOU SAY THAT?
754
00:49:15,718 --> 00:49:18,018
BECAUSE TOMORROW
I'M GOING AWAY.
755
00:49:18,020 --> 00:49:20,020
I'M GOING TO SOUTH AMERICA,
756
00:49:20,022 --> 00:49:22,889
TO BUILD A RAILWAY
FROM RIO TO CORDOVA.
757
00:49:22,891 --> 00:49:24,624
IT'S VERY EXCITING,
DON'T YOU THINK?
758
00:49:24,626 --> 00:49:27,227
SOMETHING A MAN CAN
REALLY THROW HIMSELF INTO.
759
00:49:27,229 --> 00:49:30,630
HOW LONG DOES IT TAKE
TO BUILD A RAILROAD
FROM RIO TO CORDOVA?
760
00:49:30,632 --> 00:49:33,901
WELL, MY INITIAL CONTRACT
IS FOR TWO YEARS.
761
00:49:37,073 --> 00:49:38,672
I SEE.
762
00:49:50,152 --> 00:49:52,453
OF COURSE,
NOW THAT GINNY IS MARRIED,
763
00:49:52,455 --> 00:49:55,722
I SHALL BE RETURNING
TO NEW YORK.
764
00:49:55,724 --> 00:49:58,092
YOU MUST BE
LOOKING FORWARD TO THAT.
765
00:49:58,094 --> 00:50:00,460
NOT ONE LITTLE BIT.
766
00:50:00,462 --> 00:50:02,963
IT'S ALL VERY WELL
FOR MEN, YOU SEE, BUT...
767
00:50:02,965 --> 00:50:04,798
MISS ST. GEORGE?
768
00:50:04,800 --> 00:50:08,068
WHAT IS A WOMAN
TO THROW HERSELF INTO?
769
00:50:08,070 --> 00:50:10,437
WELL, MOST WOMEN
THROW THEMSELVES
INTO MARRIAGE,
770
00:50:10,439 --> 00:50:11,872
DO THEY NOT?
771
00:50:11,874 --> 00:50:14,441
YES, I SUPPOSE SO.
772
00:50:14,443 --> 00:50:19,079
BUT YOU ARE...
A LITTLE YOUNG FOR THAT?
773
00:50:19,081 --> 00:50:21,415
I'M EIGHTEEN.
774
00:50:21,417 --> 00:50:24,451
MOTHER WAS EIGHTEEN
WHEN SHE WAS MARRIED.
775
00:50:24,453 --> 00:50:26,119
WELL, DID SHE REGRET IT?
776
00:50:26,121 --> 00:50:27,954
OF COURSE NOT.
777
00:50:27,956 --> 00:50:30,324
SO IT'S NOT SOMETHING
ONE CAN TAKE FOR GRANTED.
778
00:50:30,326 --> 00:50:33,960
JUST NOW YOU SEEM
TO RECOMMEND IT.
779
00:50:33,962 --> 00:50:36,263
MARRIAGE...
780
00:50:36,265 --> 00:50:40,000
WELL, IT DOES RATHER
DEPEND ON WHO ONE MARRIES.
781
00:50:41,837 --> 00:50:44,704
I CERTAINLY
DO NOT RECOMMEND
CHILD BRIDES.
782
00:50:44,706 --> 00:50:46,973
CHILD BRIDES GROW UP
EVENTUALLY.
783
00:50:49,745 --> 00:50:51,345
I MEAN TO SAY...
784
00:50:51,347 --> 00:50:53,847
YOU KNOW, MY MOTHER,
YES, SHE GREW UP.
785
00:51:00,823 --> 00:51:03,190
WHY DID YOU NEVER COME
TO RUNNYMEAD?
786
00:51:03,192 --> 00:51:05,993
YOU MOVE IN CHARMED CIRCLES,
MISS ST. GEORGE.
787
00:51:05,995 --> 00:51:09,396
MY FAMILY HAS
NEITHER A LONDON HOUSE
NOR A LONDON ALLOWANCE.
788
00:51:09,398 --> 00:51:11,765
- ( footsteps approaching )
- Ms. Testvalley: REALLY...
789
00:51:11,767 --> 00:51:14,334
YOU KNOW, I FIND THAT
VERY HARD TO BELIEVE.
790
00:51:14,336 --> 00:51:17,371
GRACIOUS, HOW SOLEMN
YOU BOTH LOOK.
791
00:51:18,674 --> 00:51:21,508
WE'VE BEEN TALKING
ABOUT REGRETS, MS. TESTVALLEY.
792
00:51:21,510 --> 00:51:23,910
REGRETS?
AT YOUR AGE?
793
00:51:23,912 --> 00:51:25,979
( scoffs )
RIDICULOUS.
794
00:51:32,221 --> 00:51:35,422
ANNABEL.
ANNABEL.
795
00:51:35,424 --> 00:51:36,923
HMM?
796
00:51:36,925 --> 00:51:39,359
WHAT ARE YOU THINKING,
DARLING?
797
00:51:39,361 --> 00:51:43,096
I HOPE I CAN AT LEAST KEEP
MY THOUGHTS TO MYSELF.
798
00:51:58,847 --> 00:52:01,047
( carriage approaching )
799
00:52:32,480 --> 00:52:35,582
- IT'S DARLING!
- ( Julius laughs )
800
00:52:35,584 --> 00:52:37,584
OH, LOOK AT HIS BIG FEET!
801
00:52:37,586 --> 00:52:39,186
LOOK AT THOSE BIG FEET!
802
00:52:39,188 --> 00:52:40,987
WHAT A TIGER YOU ARE!
803
00:52:40,989 --> 00:52:42,756
HE'S FOR YOU--
A PRESENT.
804
00:52:42,758 --> 00:52:45,425
FOR ME?
( chuckles )
WHY?
805
00:52:45,427 --> 00:52:47,027
HOW AM I GONNA TAKE YOU HOME?
806
00:52:47,029 --> 00:52:48,528
HOW AM I GONNA TAKE YOU
HOME WITH ME?
807
00:52:48,530 --> 00:52:49,863
- I WANT YOU TO STAY.
- ( dog barks )
808
00:52:49,865 --> 00:52:51,665
- I WANT YOU TO MARRY ME.
- YOU LIKE THIS?
809
00:52:51,667 --> 00:52:52,832
( laughing )
810
00:52:52,834 --> 00:52:54,301
IT'S TRUE.
811
00:52:54,303 --> 00:52:56,236
WHAT?
I-I'M SORRY,
WHAT DID YOU SAY?
812
00:52:56,238 --> 00:52:57,938
OH, UH...
813
00:52:57,940 --> 00:53:00,174
MA'AM.
814
00:53:01,243 --> 00:53:02,709
WHAT?
815
00:53:03,779 --> 00:53:05,512
MARRY ME, ANNABEL.
816
00:53:07,082 --> 00:53:09,649
PLEASE MARRY ME.
817
00:53:09,651 --> 00:53:12,953
YOU WERE BORN
TO BE PRINCESS
OF TREVENICK CASTLE.
818
00:53:15,824 --> 00:53:17,958
THERE'S NO OTHER WOMAN
IN THE WORLD FOR ME.
819
00:53:21,196 --> 00:53:24,330
YOU KNOW THAT,
DON'T YOU?
820
00:53:24,332 --> 00:53:26,367
PLEASE MARRY ME.
821
00:53:31,373 --> 00:53:36,410
( orchestral
theme music playing )